“It’s hard to get away with a simple chiffon or jersey dress these days. “In a room full of people, the woman in an understated style has a tough time attracting attention,” said American designer Bill Blass in 1976. Billowing sleeves, long skirts and eclectic details are laced and cinched at the waist, feminine and romantic. Featuring a crepe blouse, laced corselet, a belt and a skirt embellished and trimmed with red and green rickrack, it captures the intoxicating appeal of this moment in fashion. The New York Times was visionary in its assessment of the collection.įrom the collection of Martha Smith Simpson, lot 8 is a rare example of a complete ensemble from Yves Saint Laurent’s 1976 Peasant Rive Gauche collection. This explosion of color marked a changing tide in fashion, one that the fashion press celebrated as a shift in women’s wardrobes, even calling it Saint Laurent’s New Look. Until this point, American collections had been reserved and polished, even restrained. Presented in haute couture and adapted for Rive Gauche, the impact of this collection was fast and widespread. It’s the fashion breeze that started at Saint Laurent,” said Vogue, thus igniting a trend of more drama and ornamentation than the prevailing American style had seen in years. “The new turn – the new excitement – in fashion is the new feeling for ornamentation. Saint Laurent’s was a show of extravagance in rich fabrics and sumptuous colors. Rarely is its effect so immediate, as was the case that July. In most instances, a work’s profound impact is recognized in hindsight. So declared the New York Times in the summer of 1976, following the debut of Yves Saint Laurent’s Russian collection. It is as stunning in its impact as the collection Christian Dior showed in 1947, the one that came to be known as the New Look and affected the way women dressed everywhere. PARIS, July 28-Yves Saint Laurent presented a fall couture collection today that will change the course of fashion around the world.
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